Με αυτόν τον τρόπο και με την εμπλο

Με αυτόν τον τρόπο και με την εμπλοκή του καλλιτέχνη σε δράσεις, που πρωταγωνιστούν τα αντικείμενα, κατέληξε στην επίτευξη του βασικού του αιτήματος που ήταν η μετατροπή του θεατή από παθητικό δέκτη σε συμμέτοχο και ενεργό άτομο στον σχηματισμό του έργου τέχνης. Ο σκοπός του αυτός επιτεύχθηκε κυρίως με τις δράσεις και τα Περιβάλλοντα που οργάνωσε αφενός τονίζοντας τον επικοινωνιακό χαρακτήρα του εφήμερου έργου τέχνης, αφετέρου επισημαίνοντας ότι τα όρια της τέχνης δεν είναι μόνο θέμα του καλλιτέχνη αλλά και του θεατή, ο οποίος καλείται να επαναπροσδιορίσει τη σημασία της τέχνης μέσα στο κοινωνικό γίγνεσθαι.

Αποτελέσματα (Αγγλικά) 1:

In this way and with the involvement of the artist in action, starring objects, leading to the achievement of the basic of the request was to turn the viewer from passive recipient to active participant and person in form of artwork. Its purpose is mainly achieved through the actions and environments organized on the one hand emphasizing the communicative nature of the ephemeral work of art, the other pointing to the limits of art is not only a matter of the artist and the viewer, who is invited to redefine the importance of art in society.

Αποτελέσματα (Αγγλικά) 2:

In this way and with the involvement of the artist in actions, starring the objects, he reached the basic demand that was the conversion of the viewer from passive receiver to a co-shareholder and active person in the formation of artwork. The purpose of this was achieved mainly with the actions and the environments organized on the one hand highlighting the communicative character of the ephemeral work of art, on the other, noting that the boundaries of art are not only a matter for the artist but also the Spectator, the Who is called to redefine the importance of art within the social becoming.

Αποτελέσματα (Αγγλικά) 3:

In this way and with the artist's involvement in actions, which are the protagonists of the objects, resulted in the achievement of its basic demand, which was to transform the viewer from a passive receiver into a co-participant and active person in the formation of the work of art. This aim was achieved mainly through the actions and the environment organised on the one hand by highlighting the communicative nature of the contemporary art project, noting, on the other hand, that the limits of art are not only a matter for the artist but also for the viewer, who is called upon to redefine the importance of art within the social giant.