By placing the cones in the outer space, he exploited an element already used, a means of disconnecting traffic to invite the public to a game of free participation. The tendency of Xenaki towards kinetic art, and in particular towards the environment, is due to his own interest in the relationship between object, space and viewer, i.e. the position the object can take in space, the shape that can be brought to it and the viewer's reaction to these two factors.<br>
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