As stated by Kieslowski in an interview '' the man has a tendency to want to be even more equal, doesn't care to be equal to his neighbor, but the ' more equal ' '. And that is precisely why the film refers more to the biblical dictum of '' an eye for an eye, '' rather than to the concept of equality. It is the brightest of the three films, through which the Kieslowski raises tons and speaks with particular mutagenicity on the collision of two worlds and for equality in love, mistakes and the Supreme pain.
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