Η γενιά του 1960 συνεπώς που έζησε

Η γενιά του 1960 συνεπώς που έζησε στο Βερολίνο την περίοδο αυτή είναι μία ιστορική γενιά της μεταπολεμικής και σύγχρονης τέχνης στην Ελλάδα καθώς συνέβαλε στο συγχρονισμό των καλλιτεχνικών αναζητήσεων και τελικά στη μεταφορά των εξελίξεων στην Ελλάδα, με αποτέλεσμα η ελληνική τέχνη να ευθυγραμμιστεί για πρώτη φορά με τη διεθνή καλλιτεχνική πραγματικότητα στο Βερολίνο, το μητροπολιτικό κέντρο δράσης των κοινωνικών κινημάτων, αλλά και καλλιτεχνικής έκφρασης. Έτσι κατάφερε να οδηγήσει τη νεοελληνική τέχνη προς τη νεωτεριστική δημιουργία, κατά την οποία επανασυσχετίζεται η τέχνη με τον κοινωνικό χώρο, νομιμοποιώντας ουσιαστικά τον πειραματισμό ως θεμιτή καλλιτεχνική γλώσσα που απηχεί όψεις αυτής της νέας πραγματικότητας.

Αποτελέσματα (Αγγλικά) 1:

The generation of 1960 thus lived in Berlin during this period is a historic generation of postwar and contemporary art in Greece as well as contributed to the synchronization of artistic pursuits and finally the transfer of the developments in Greece, with the result that Greek art to align for the first time international artistic reality in Berlin, the metropolis action of social movements, and artistic expression. So he managed to lead the modern Greek art for the novel creation in which epanasyschetizetai art with social space, essentially legalizing experimentation as legitimate artistic language that reflects aspects of this new reality.

Αποτελέσματα (Αγγλικά) 2:

The generation of 1960, therefore, which lived in Berlin during this period, is a historical generation of post-war and contemporary art in Greece as it contributed to the synchronisation of artistic pursuits and ultimately to the transfer of developments in Greece, with The result is that the Greek art is aligned for the first time with the international artistic reality in Berlin, the Metropolitan centre of Action of social movements and artistic expression. Thus he managed to lead the modern Greek art towards the modernist creation, in which the art is reassociated with the social space, effectively legalizing experimentation as a legitimate artistic language that echoes aspects of this new Reality.

Αποτελέσματα (Αγγλικά) 3:

The 1960s, therefore, that lived in Berlin during this period is an historic generation of post-war and modern art in Greece as it contributed to the synchronisation of artistic research and, finally, the transfer of developments in Greece, with the result that Greek art is aligned for the first time with the international artistic reality in Berlin, the metropolitan centre of action of social movements, as well as artistic expression. This is how he managed to lead the neo-Greek art towards modern creation, in which art is reconnected with social space, by essentially legitimising experimentation as a legitimate artistic language reflecting aspects of this new reality.