συνδυάζονται σχέδια με χαρακτικά τυ

συνδυάζονται σχέδια με χαρακτικά τυπώματα, ο Αργυράκης επιδιώκει αφενός να εκφράσει την αντιπολεμική του στάση αφετέρου στοχεύει στην ευαισθητοποίηση των θεατών. Δημιουργεί συνθέσεις που αποτυπώνουν τις θηριωδίες που υπέστησαν οι πολίτες του Βιετνάμ κατά τη διάρκεια του πολέμου, εικόνες που συμβάλλουν στην καλύτερη κατανόηση του χαρακτήρα του πολέμου και του αντιπολεμικού μηνύματος. Ενδεικτικό παράδειγμα το έργο στο οποίο απεικονίζεται ένα ζωγραφισμένο παιδικό πρόσωπο με μπλε φόντο που κλαίγοντας κοιτάζει τον θεατή. Ακριβώς πάνω από την παιδική φιγούρα ρίψεις χειροβομβίδων από μαχητικό αεροσκάφος συμπληρώνουν τη σύνθεση. Αντίστοιχο είναι και το έργο στο οποίο το παιδικό πρόσωπο αντικαθίσταται από μία μαυροφορεμένη γυναίκα που ολοφύρεται καθώς δέχεται εναέριους βομβαρδισμούς. Η αναφορά του καλλιτέχνη στον βομβαρδισμό του Βόρειου Βιετνάμ και στα θύματα του πολέμου είναι σαφής. Στη σειρά αυτή εντάσσονται ακόμη δύο έργα που απεικονίζουν τραυματισμένα παιδιά από το Βιετνάμ. Στο ένα υπάρχουν δύο παιδικές φιγούρες, αριστερά ένα μικρό χαμογελαστό παιδί που κοιμάται και δεξιά ένα τραυματισμένο ημίγυμνο κορίτσι στηρίζεται σε ένα δοκάρι προσπαθώντας να απομακρυνθεί από το κόκκινο τοπίο που βρίσκεται πίσω της και πιθανότατα αναπαριστά μία βομβαρδισμένη περιοχή.

Αποτελέσματα (Αγγλικά) 1:

designs combined with prints of engravings, the Argirakis seeks firstly to express his anti-war stance of the other aims to raise awareness of the spectators. Creates compositions that capture the atrocities suffered by the Vietnamese people during the war, images that contribute to a better understanding of the nature of war and the anti-war message. An example project that visually depicts a child's face painted with blue background weeping staring at the viewer. Just over child figure throwing grenades from fighter aircraft complement the composition. Equivalent is the work in which the children's face is replaced by a woman in black olofyretai as receiving aerial bombardments. The reference of the artist in the bombing of North Vietnam and the victims of war are clear. In this series also included two works depicting wounded children from Vietnam. In one there are two children's figures, left a small smiling child sleeping and an injured right half-naked girl resting on a post trying to remove the red landscape behind and probably represents a bombed area.

Αποτελέσματα (Αγγλικά) 2:

Combined drawings with engravings, Argyrakis seeks to express his anti-war stance on the other hand, aiming at the sensitization of the spectators. It creates compositions that capture the atrocities suffered by the people of Vietnam during the war, images that contribute to a better understanding of the character of war and the antiwar message. Indicative example is the work in which a painted children's face is depicted with a blue background that tears the viewer's eyes. Just above the children's figure castings grenade by fighter aircraft complement the composition. The same is the work in which the child's face is replaced by a black-haired woman who olofyretai as he receives aerial bombings. The artist's reference to the bombing of North Vietnam and the victims of war is clear. Two more projects depicting injured children from Vietnam are included in this series. In one there are two children's figures, left a small smiling child sleeping and right an injured half-naked girl relies on a beam trying to move away from the red landscape behind her and probably represents a Bombed area.

Αποτελέσματα (Αγγλικά) 3:

projects are combined with distinctive prints, the Argentine seeks on the one hand to express its anti-war stance and on the other to raise the awareness of spectators. It creates compositions that reflect the atrocities suffered by the citizens of Vietnam during the war, pictures that contribute to a better understanding of the nature of the war and the anti-war message. An example is the work in which a painted child's face with a blue background looks at the viewer in tears. Right above the child figure, grenade launches from a fighter aircraft complete the composition. The same is true of the work in which the child is replaced by a black woman who lights up as she receives aerial bombardments. The artist's reference to the bombing of North Vietnam and the victims of the war is clear. Two more projects depicting injured children from Vietnam are included in this series. In one there are two child figures, left a little smiling child sleeping and right a wounded half-naked girl leans on a beam trying to get away from the red landscape behind it and probably represents a bombed area.