On a further note, the Furniture Ho

On a further note, the Furniture House itself is quoted to have been inspired by the Farnsworth House, so Mies van der Rohe serves as another inspiration to Shigeru Ban, especially in the case of this house. Many similarities are visible between the Furniture House and the Farnsworth House, particularly the use colour, glass and ways of defining space. These houses are not identical: the Farnsworth House relies upon a steel frame to stay upright but they are certainly comparable, with their uninterrupted floors and roofs for instance. The Farnsworth House was designed in a way where the space was optimised in the best way; everything is placed where it is for a good reason. For instance, the drain and sewage pipes, as well as the vent shafts, are placed within the central slabs that constitute the house, in order to render them invisible to the inhabitant of the house. In the Furniture House, the same ultimate planning can be seen with the left-hand wardrobe wall of the tea room, for instance. It is strategically placed as it does not only act as a limit to the tea room but it also shows where the entrance to the house is. In this sense, every piece of furniture is placed to perfection in order to arrange the spaces efficiently. Also we can relate to Ban’s philosophy, which is explained later on, when he states that he doesn’t appreciate the use of waste in modern architecture in order to make a funny shape. Mies Van der Rohe, and subsequently Shigeru Ban, can be seen as architects who do not design buildings belonging to a certain style or period like Baroque or Renaissance architecture, but as architects who define space.

Αποτελέσματα (Αγγλικά) 2:

On a further note, the Furniture House itself is quoted to have been inspired by the Farnsworth House, so Mies van der Rohe serves as another inspiration to Shigeru Ban, especially in the case of this house. Many similarities are visible between the Furniture House and the Farnsworth House, particularly the use colour, glass and ways of defining space. These houses are not identical: the Farnsworth House relies upon a steel frame to stay upright but they are certainly comparable, with their uninterrupted floors and roofs for instance. The Farnsworth House was designed in a way where the space was optimised in the best way; everything is placed where it is for a good reason. For instance, the drain and sewage pipes, as well as the vent shafts, are placed within the central slabs that constitute the house, in order to render them invisible to the inhabitant of the house. In the Furniture House, the same ultimate planning can be seen with the left-hand wardrobe wall of the tea room, for instance. It is strategically placed as it does not only act as a limit to the tea room but it also shows where the entrance to the house is. In this sense, every piece of furniture is placed to perfection in order to arrange the spaces efficiently. Also we can relate to Ban's philosophy, which is explained later on, when he states that he does not appreciate the use of waste in modern architecture in order to make a funny shape. Mies Van der Rohe, and subsequently Shigeru Ban, can be seen as architects who do not design buildings belonging to a certain style or period like Baroque or Renaissance architecture, but as architects who define space.

Αποτελέσματα (Αγγλικά) 3:

In further notes and furniture of the house itself is listed have been modelled Farnsworth so Mies van der Rohe house, as another inspiration to Mao long, especially in the case of the company. Many similarities are visible between the Farnsworth furniture of the house and the house, in particular the color glass and the use of the way, on the definition of space. These houses are not the same: the A Farnsworth steel frame depends on the home stay upright but of course they are similar, with their uninterrupted floor and roofs for example. Farnsworth is the design of the house in an optimized way in the space is in the best way? Everything is placed in it is a good reason. For example, the drain and sewage treatment, as well as the incident intersection, are placed in the central plate, which constitute the house in order to make them inhabitant invisible to the house. Furniture in the house, the ultimate plan also can use left hand wardrobe wall tea, for example. It is because it is not only limited as strategically tea, but it is also shown in the entrance of the house is. In this sense, each piece placed on the perfection furniture is in an efficient space arrangement. Ban Ki-moon can also be explained with our philosophy that this is to his country, and later, when he and the use of T of waste in the modern architecture to do an interesting shape. Mies van der Rohe and subsequent long Mao, who can be as the architect designed buildings does not belong to a certain class or Renaissance baroque style or period of construction, but as an architect who defined space.